Game of Thrones—The Long Farewell

Quite a few long-running stories that I’ve been following across different media are coming to an end these days. In the cinemas, there’s Avengers Endgame, the climax of a story that started with Iron Man in 2008 (and which I’ve seen—more on that soon). In comics, there’s Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine, which has been running since 2014 and is on its final story arc. And on TV of course, there’s Game of Thrones, now two episodes into its six-episode final season.

Endings are tricky things, of course, all the more so when stories are as sprawling as these three examples are. But these stories have an advantage: a large cohort of dedicated fans, who have invested in and stuck with the story from the early days. Perhaps the key to getting the ending right lies in making sure that these fans feel a sense of payoff for their dedication. And from the two episodes so far, Game of Thrones‘ creators understand this well.

(Spoilers for Game of Thrones below, but also for sundry other endings.)

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Game of Thrones—In Praise of the Little People

Game of Thrones returned to our screens last weekend, in an opening episode to the final series that harked back to the very first episode. Once again, the major players were manoeuvring around one another, some of them meeting after years apart and others encountering each other for the first time. The Starks and Lannisters, together with Daenerys Targaryen, face the existential threat of the White Walkers and the Night King, while all around them everyone else just tries to survive.

Except that’s not really true, is it? One of the joys of Game of Thrones, both in televisual and novel form, is that its rich cast of minor characters don’t just exist to survive and support the actions of the major players. They have their own lives, their own lusts and drives, and they’re often just as entertaining as, if not more so than, the tragic Starks or the debauched Lannisters.

(There’ll be some spoilers below, but not too many. This is all about celebrating the characters who have enlivened and enriched the tapestry of Westeros for viewers and readers.)

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A Tale of Two Captains

The history of the comics industry, with all its twists and turns, contains fewer stories more convoluted than that of Captain Marvel. A plethora of characters have held that title across multiple publishers, and there’s no way to tell the tale in a straightforward fashion. There’s even an extension to the Captain Marvel story that ropes in a British copy called Marvelman, comics’ greatest writer, and a slew of hard-fought court cases.

Given all of this complication, there must be some cosmic synchronicity at work in two versions of this storied character having their movie debut within a month of each other, in the form of Marvel/Disney’s Captain Marvel and DC/Warner’s Shazam! It might be a little spurious to compare the two movies, but it might also be a little fun and tell us something about the seemingly bloated state of the superhero movie genre right now.

Besides, when has being spurious ever stopped this blog before?

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