Quite a few long-running stories that I’ve been following across different media are coming to an end these days. In the cinemas, there’s Avengers Endgame, the climax of a story that started with Iron Man in 2008 (and which I’ve seen—more on that soon). In comics, there’s Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine, which has been running since 2014 and is on its final story arc. And on TV of course, there’s Game of Thrones, now two episodes into its six-episode final season.
Endings are tricky things, of course, all the more so when stories are as sprawling as these three examples are. But these stories have an advantage: a large cohort of dedicated fans, who have invested in and stuck with the story from the early days. Perhaps the key to getting the ending right lies in making sure that these fans feel a sense of payoff for their dedication. And from the two episodes so far, Game of Thrones‘ creators understand this well.
(Spoilers for Game of Thrones below, but also for sundry other endings.)
From a point of bankruptcy in the 1990s, Marvel has built its comic-book properties into a billion-dollar film and television franchise that’s so omnipresent you never have to wait long for the next Marvel product. Two movies a year and multiple TV series are enough to sate the most avid fan, and while we may be nearing oversaturation, the quality has remained remarkably high so far. The latest two offerings—Avengers: Age of Ultron and Daredevil—represent Marvel working harder than ever to maintain that quality as it stretches the limits of what superhero fiction can do on screen.
A:AoU is of course the follow-up to Joss Whedon’s ensemble blockbuster movie, whereas Daredevil marks the first offering from Marvel’s tie-up with Netflix, presenting heroics at a more gritty street level than Avengers’ apocalyptic, primary-colour adventures. Having watched them both to completion over the past weekend, I thought comparing the two might prove interesting.