Anyone can be Spider-Man. It’s an unusual theme for a superhero movie, where the exceptional nature of the central character is usually the central point. However, Spider-Man: Into the Spider-Verse is an unusual superhero movie. Animated at a time when live-action superheroes rule at the box office, it’s currently struggling against the live-action Aquaman, but if there’s any justice, it will find success in the long term, because Into the Spider-Verse is a far more interesting movie and a fitting bookend for a superhero year that started with Black Panther.
Spoilers for the movie (which you really ought to go and see) below.
For all of the successes of the Marvel superhero universe, most of the sub-franchises haven’t enjoyed uninterrupted upward curves. Iron Man 2 was a mess, Thor: The Dark World was a bit dull, and Avengers: Age of Ultron seemed tired by comparison with its mega-successful predecessor. Only the Captain America movies have shown consistent progress: starting well with The First Avenger, getting better with The Winter Soldier, and now topping the lot with Civil War.
Too much cinema-going leads the brain to make strange connections. You wouldn’t think that Calvary, a small-budget Irish film about a rural priest facing a death threat, would have much in common with The Amazing Spider-Man 2, one of the biggest-budget blockbusters of the year. And yet here we are. They’re the most recent two films I’ve seen, and one thing leaped out at me from both of them: the problem that they have in establishing a tone.
(Spoilers for both movies below, though as few of them as I can get away with.)