Too much cinema-going leads the brain to make strange connections. You wouldn’t think that Calvary, a small-budget Irish film about a rural priest facing a death threat, would have much in common with The Amazing Spider-Man 2, one of the biggest-budget blockbusters of the year. And yet here we are. They’re the most recent two films I’ve seen, and one thing leaped out at me from both of them: the problem that they have in establishing a tone.
(Spoilers for both movies below, though as few of them as I can get away with.)
Continue reading Calvary, Spider-Man and the Problem of Tone