Bratislava: Can’t Hide It


I suspect that Soviet architects were either very imaginative or very bored.
Not actually Bratislava Castle. Wouldn’t it be awesome if it was though?
Just an hour and a half down the Danube from Vienna, Bratislava feels like it’s half a world away. The western imperial solidity of the latter city gives way to a mishmash of old and new, Soviet straight lines rubbing shoulders with of Austro-Hungarian fripperies and the first intrusions of modern glass and steel housing department stores with all-too familiar names.

All of this is crammed into one of the smaller cities that I’ve visited to date, and it makes it hard to get a grip on Bratislava or, by extension, Slovakia itself. A relatively young country, having split off from Czechoslovakia, it still seems to be figuring itself out, an adolescent nation more sure of what it’s not than what it is.


When you need to dig a well, you don't stop until you hit water.
85m deep, all the way down to the Danube.
That’s probably reading too much into my visit to the capital, which is in the western corner of the nation, but there are hints here and there.

Bratislava Castle, standing on a rocky peak that dominates the Danube, burned down in the 19th century and was restored in the Soviet era. It’s a restoration that left the interior feeling rather empty, albeit with fascinating nooks and crannies like the 85m-deep castle well and the Crown Tower. The exhibitions it houses help to express some sense of Slovak identity too. First on the efforts of Slovaks to seek autonomy under Austria-Hungary, but more importantly on the legacy of Great Moravia, a brief-lived post-Roman nation that dominated this part of Europe for a few generations until the arrival of the Magyars and the beginning of Hungary to the south. Forging a collective identity requires identifying a shared heritage.


Should have just gone for it and figured something out. Sigh
I really wanted one of these walking sticks but was afraid of having to leave it behind at the end of the trip.
Back down in the Old City, that identity was being worked out through what seemed to be a weekend of festivals and events. Traditional crafts and trades on display in a thronged main square, traditional dancers hammering the boards on a nearby stage, and Eco- and fitness-festivals further out. It’s probably an accident of the weekend that I was there, but it seemed that this wasn’t really for the sake of tourism. There was engagement and activity everywhere, and a vibrancy that reminded me of Berlin, albeit on a much smaller scale – filling in the gaps of a multipart history and turning it into something whole.

I stayed longer than planned in Bratislava, and I’m glad that I did. Of all the countries that I’ve hit on this trip so far, Slovakia is the one I’d most like to return to. There’s an openness about the people and something very fresh about the culture. And given that Bratislava makes up such a small part of one corner of the nation, there’s bound to be a great deal more to discover. Still, the railroad goes ever on, and I continue to follow it – next up, more Danubian encounters with Budapest and Hungary.

2 thoughts on “Bratislava: Can’t Hide It”

  1. Great piece and beautiful pictures! I have to agree that the culture of Slovakia isn’t widely known, but I’m glad to have read this. Perhaps one day I will find myself on the streets in the pictures.

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